But it is Berry's Versace evening dress that is one of the exhibition's standouts. In 2002's Die Another Day, Halle Berry's Jinx Johnson paid homage to Andress by emerging from the sea in a similar bikini. Other costume highlights in the exhibition include Ursula Andress's Dr No bikini, which was created from the actor's bra and some bottoms found locally during filming, alongside designs by Prada, Gucci and Versace. 'The film Goldfinger made Bond a pop-culture phenomenon rivalled only by the Beatles,' says Cosgrave. Pussy Galore's gold waistcoat and Scaramanga's golden gun are displayed in glass cases alongside black-and-white footage of Connery arriving at the premiere of Goldfinger and being mobbed by fans. Visitors walk through a bullet-shaped entrance covered with stills from the films, before arriving in the Gold Room, which features a revolving circular bed complete with white sheets and a gold-painted female body – a nod to the classic scene from Goldfinger. Cosgrave says the show aims to reflect all 23 films. Such is the power of Bond – Cosgrave says many fashion trends have been inspired by the fashions of this franchise – that Sunspel, who also created clothes for Craig's Casino Royale wardrobe, has launched a new swimwear line.ĭesigned to take visitors on a Bond-style narrative journey – there are rooms dedicated to M, ski slopes and foreign locations. Its athletic cut, she says, inspired designers such as Hedi Slimane, Tom Ford and Thom Browne.įord's mohair and cashmere tuxedo, worn by Craig in 2008's Quantum of Solace, also puts in an appearance in a section of the exhibition dedicated to Bond casino moments.Īs well as Craig's trunks, there is a recreation of Connery's Thunderball shorts, which Bond costume designer and Oscar-winner Lindy Hemming – the exhibition's other key curator – asked British brand Sunspel to recreate.

A three-piece grey-check suit by Sinclair is worn by a Connery-lookalike mannequin leaning on a DB5 Aston Martin in this show.īronwyn Cosgrave, fashion historian and co-curator of the exhibition, says Sinclair's designs are the male equivalent of a Chanel suit. The tailor's involvement in shaping the look of Bond is integral to the character's image. The opening scene of Dr No, the first Bond film, featured a close-up of a turned-back silk cuff on a tuxedo jacket designed by Anthony Sinclair for Sean Connery.

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